![]() ![]() ![]() Rarely, a tinge of Komal Ni is also used in this raga. It is a very melodious raga, and whereas heavy classical genres like Khyals are often based on this raga, light classical genres are more popular in Tilak Kamod. The raga is to be sung during the second quarter of the night (dwitiya prahar). ![]() The vadi swar is Re, and the samvadi is Pa. Pakad:'Pa 'Ni Sa Re Ga Sa Re Pa Ma Ga Sa 'Ni However, shuddha N in the avarohana is quite frequently used in north Indian style of performing this raga.Īvarohana: Sa' Pa Dha Ma Ga Sa Re Ga Sa 'Ni 'Pa 'Ni Sa Re Ga Sa. The usage of komal (n) brings in the characteristics of Khamaj thaat. All the swaras used in this raga are shuddha except for N which is sometimes komal (n). The raga is of Shadava-Sampoorna nature, i.e., in its arohana (ascent) six notes are used (D is excluded), whereas the avarohana (descent) uses All seven notes. ![]()
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